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The champ of a new civic biennial art award-winning is one of 10 artists featured in a new display that opens Saturday at the the Reading Public Museum.

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“Rising Voices: The Bennett Award-winning for Women Allegorical Realist Painters” will be at the building from Feb. 22 to May 24.

Aneka Ingold, a painter whose assignment explores women’s adventures above time, adeptness and history is the countdown champ of the Bennett Award-winning for Women Allegorical Realist Painters. The $50,000 stipend/grant-in-aid accolade is accustomed biennially to a woman painter whose arch focus is allegorical painting. The Bennett Award-winning seeks to animate the afterward of allegorical accuracy by women painters and provides abutment over two years to a painter whose assignment demonstrates arete in the genre.

Ingold of Tampa, Florida, creates artwork that consists of cryptic narratives accumulation collapsed blush and arrangement with realism. She specializes in alloyed media techniques, accumulation cartoon and painting processes.

“Rising Voices” appearance added than 25 works by the Ingold and the nine added finalists, presenting a active arrangement of capacity and themes. The finalists were called from a acreage of 647 entrants from above the United States. Their paintings were called for abstruse excellence, affecting and conceptually alive qualities, and for the adeptness of their artists to acquaint belief that abode the around-the-clock and abreast issues adverse not alone women, but association as a whole. Added allegorical artists featured in the exhibition accommodate Dorielle Caimi, Jennifer R.A. Campbell, Kira Nam Greene, Mary Henderson, Stephanie Jackson, Rebecca Léviellé, Jenny Morgan, Daniela Kovacic Muzio, and Carrie Pearce.

The building is accessible 11 a.m.-5 p.m. circadian and is amid at 500 Building Road in Reading.

Admission is $10 for adults, $6 for accepting and seniors, and chargeless for ages 3 and under.

For information, alarm 610-371-5850 go to readingpublicmuseum.org.

Every year, the Allentown Symphony Orchestra has been captivation a adolescence and ancestors concert, and this year is the 50th ceremony of Earth Day, so orchestra music administrator and aqueduct Diane Wittry absitively to amalgamate the two and “go green” at the concert at Miller Symphony Hall on Sunday.

Wittry chose pieces that bless attributes in music, including selections from Beethoven’s “Pastoral,” Vivaldi’s “The Four Seasons,” and Glazuno’s “The Seasons.”

Other pieces accommodate the acclaimed “Forest Murmurs” Richard Wagner’s Ring arrangement from Act II of “Siegfried;” “On the Trail,” the best accepted of bristles movements from the “Grand Canyon Suite” by Ferde Grofé; “The Pines of the Appian Way” from Ottorino Respighi’s “The Pines of Rome;” “Scene by the Brook” from Beethoven’s “Symphony No. 6” and “Call of the Cicadas” from “Living, Breathing Earth” by Meira Warshauer.

Wildlands Conservancy of Emmaus, Lehigh County, is partnering on the concert and will be accouterment both narrators for the concert, as able-bodied as images and maps that will be apparent during the concert.

ASO ancestors concerts consistently action pre-concert activities for accouchement and Wildlands Conservancy is bringing in its furred and feathered wildlife ambassadors to accommodated the admirers members. Wildlands additionally will accept alternate climate-education activities that will analyze the appulse of the elements and acquaint account to abate your carbon footprint.

The pre-concert activities are 12:30 to 1:30 p.m. in the Rodale Room on the third attic of Miller Symphony Hall.

The concert is 2 p.m. on Saturday at Allentown Symphony Hall, Miller Symphony Hall, 23 North Sixth Street, Allentown.

Tickets are $30. Tickets for accepting up to age 21 are chargeless by calling the box appointment at 610-432-6715. For information, go to millersymphonyhall.org.

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Grammy Award-winning orchestra Apollo’s Fire has performed sold-out concerts at Carnegie Hall, the BBC Proms, the Royal Theatre of Madrid, the Tanglewood Festival, the Metropolitan Building of Art and now comes to Kutztown University on Tuesday.

Apollo’s Fire is committed to animating the accurate spirit of bizarre performances, not alone with aeon instruments, but with the affecting appulse the music was meant to convey.

Named for the classical god of music, healing and the sun, the period-instrument orchestra was founded by award-winning harpsichordist and aqueduct Jeannette Sorrell, and is committed to the bizarre ideal that music should arm-twist the assorted Affekts or passions in the listeners. Apollo’s Fire is a accumulating of artistic artists who allotment Sorrell’s affection for ball and rhetoric.

Apollo’s Fire has appear 26 bartering CDs and won a Grammy Accolade in 2019 for the anthology “Songs of Orpheus” with tenor Karim Sulayman.

The concert is allotment of the Kutztown Presents Assuming Arts Series.

The achievement is 7:30 p.m. on Feb. 25 in Schaeffer Auditorium at Kutztown University, 15200 Kutztown Road, Maxatawny Township.

Tickets are $38 for adults, $34 for seniors and students. For information, alarm 610-683-4092 or go to kutztown.edu.

The archetypal ball “Raisin in the Sun,” which is adulatory the 60th ceremony of its premiere, is headlining Muhlenberg College’s 2020 Atramentous History Month celebrations.

Lorraine Hansberry’s atomic ball takes an brave attending at the hopes and struggles of an burghal atramentous ancestors in 1950s Chicago.

Emmy Award-nominated bedfellow artisan Jeffrey Folio is administering the assembly Feb. 20-23, presented by Muhlenberg College Theatre & Dance Department.

“A Raisin in the Sun” was the aboriginal ball accounting by a atramentous woman to be produced on Broadway. It was nominated for four Tony Awards, including best play.

The appellation of the ball comes from the Langston Hughes composition “Harlem,” which asks the question, “What happens to a dream deferred? Does it dry up like a raisin in the sun?”

In the story, the associates of the Younger ancestors are at a crossroads. Matriarch Lena wants to use her backward husband’s activity allowance to move her ancestors out of their awkward south ancillary apartment. Her son, Walter Lee, would rather use the money to alpha a business and become his own man. Her daughter, Beneatha, affairs to go to medical school, but additionally yearns for a faculty of identity, and wishes her ancestors wasn’t so atrocious for acceptance.

As their alive tensions intensify, the able armament of 1950s America appear animadversion at the Youngers’ advanced door.

Hansberry encountered bigotry immediate while growing up in a white, upper-middle-class neighborhood. The author after declared her acquaintance as “hellishly hostile,” as her white neighbors attempted to advance them out of their home. The contest served as the base for the ball and led to the battleground 1940 U.S. Supreme Court case Hansberry v. Lee, a dispatch bean to the Fair Housing Act of 1968.

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Though acutely abiding in the amusing issues of a accurate era, “A Raisin in the Sun” has stood the analysis of time, according to the cast, who say they had no adversity acquainted themselves and the challenges of 21st aeon America in the pages of the play.

Performances are 8 p.m. Feb. 20-22 and 2 p.m. Feb. 23. Baker Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 West Chew Street. Tickets: $15, $8 students. Info: 484-664-3333, muhlenberg.edu/theatre.

Don’t absence 14 new works by bounded playwrights and assuming artists back Reading Theater Project presents “5 Minute Fringe Festival: Mirror” Thursday through Sunday.

The 5-Minute Fringe gives artistic artists from Berks County and above a belvedere to advance new and beginning assignment on a baby scale, and it gives audiences a glimpse into the minds of bounded performers and writers. Arists are encouraged to accusation affected boundaries and booty artistic risks.

This year’s affair is “Mirror” explored through music, words, and movement

The pieces are “Unboxing Match” by Adam Richter; “A Love Finding Its Reflection” by Chris Heslop and Fadi Acra; “Facets Allotment 2” by Chris Paolini; “This Mortality Jazz: Three balladry absorption a life” by David Nice; “Echo and Narcissus” by Emily Hannon; “Seeing and Believing” by Jane Ney; “Tomboy” by Jayne R. Brown; “Wheels of Light” by Jessica Warchal-King and Emily Coppa; “Herstory and Mirror, Mirror” by Nancy Lamb; “Mirror Dialogue: What Do I See” by Phillip Jeffrey Tietbohl and “Party for Obsolete Words” by Sue Lange.

Also presented will be two aboriginal works by the Yocum Institute for the Arts Teen Ensemble, directed by Megan Rose.

Performances are 8 p.m. Feb. 20-22 and 2 p.m. Feb. 23 at the Yocum Institute for the Arts, 3000 Penn Avenue, Spring Township.

Tickets are $15.

For information, alarm 484-706-9719 or go to readingtheaterproject.com.

The acclaimed aggregation allotment to Williams Center for the Arts at 7p.m. Feb. 22, afterward its acknowledged 2016 Williams Center debut, with “No Blue Memories: The Activity of Gwendolyn Brooks,” which tells the adventure of Chicago’s artist laureate and the aboriginal African American to win the Pulitzer Prize.

In the bewitched easily of Manual Cinema, the activity of this quietly, agilely advocate arcane amount who aggressive ancestors of writers is depicted as poetically on the date as Brooks appears on the page.

“The Activity of Gwendolyn Brooks” illustrates the adventure of a arresting amount in American arcane history, her admired Chicago, and how she navigated identity, craft, and politics. Brooks aggressive ancestors of artists and accouchement and Manual Cinema captures the artist in anapestic fashion.

True to its name, Manual Cinema creates all-embracing accurate immersions application backward technologies including adumbration puppetry, best aerial projectors, actors in profile, alive augment cameras, multichannel complete architecture and an onstage music ensemble amalgamate to accomplish cine abracadabra in absolute time, all aural admirers view. The aggregation creates all-embracing affected pieces by hand, application simple technologies, alive actors, and an onstage music ensemble

Deceptively simple in concept, Manual Cinema’s eyes is acutely abiding in the beginning canicule of cinema back bashful films were a limitation of technology, not the imagination.

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The achievement is acceptable for accouchement 8 and older.

“No Blue Memories: The Activity of Gwendolyn Brooks” is at 7 p.m. Saturday at Williams Center for the Arts, 317 Hamilton Street, Easton. Tickets are $29 adults and $6 students.

For information, alarm 610-330-5009 or go to williamscenter.lafayette.edu.

Fairy tales booty a aphotic about-face in Stephen Sondheim’s “Into the Woods” Feb.20-24 at Cedar Crest College.

“Into the Woods” brings calm characters from the aboriginal Brothers Grimm bogie tales in a different and comedic adventure about wishes, ancestors and the choices we make.

A book by James Lapine and account and lyrics by Sondheim braid calm the plots of several bogie tales, including Little Red Riding Hood, Rapunzel, Jack and the Beanstalk, and Cinderella in this darkly banana reenvisioning of archetypal tales.

In the adventure the Baker and his Wife ambition for a child; Cinderella wishes to appear the King’s Festival and Jack wishes his cow would accord milk. Back the Baker and his Wife apprentice that a Witch’s spell is to accusation for their troubles, they set off on a adventure to breach the curse. All the characters get their ambition for a time. But as they anon learn, a ambition accepted is no agreement of happiness.

The casting appearance Cedar Crest College and Lehigh Carbon Community College accepting assuming beneath the administration of Bill Whitney, the agreeable administration of Brian Foley and the choreography of Joanellyn Schubert.

Performances are 7 p.m. Feb. 20-22 and 2 p.m. Feb. 24, in Samuels Theatre, Tompkins College Center, 100 College Drive, Allentown.

Tickets are $25 adults, $20 seniors and chargeless for children. For information, alarm 610-606-4608 or go to cedarcrest.edu/stage.

Lehigh University’s Department of Theatre brings the Noël Coward’s ball “Blithe Spirit” to Lehigh University’s Diamond Theater Feb. 21-29.

Noël Coward at his banana best with this ball set aloof afore war break out, in 1937, in a Kent village. English biographer Charles Condomine invites the absurd medium, Madam Arcati, to accomplish a séance for him and accompany in hopes of acquirements some tricks for a appearance in his abutting book. He is agnostic of her powers, of course. But back the séance appears to work, alertness ensues as Charles is actually apparitional by his asleep aboriginal wife, Elvira.

The ball is directed by Augustine Ripa, and the casting appearance Lehigh University accepting Arianna Pinerio as Ruth, Sam Alper as Charles, Leo Danzig as Dr. Bradman, Racel Gingrich as Violet Bradman, McKenna Webb as Madame Arcati, Ivery Marquez as Edith and Aimee Tepidity as Elvira.

Performances are 7:30 p.m. Feb. 21, 22, 26-29 and 2 p.m. Feb. 23, in Diamond Theater, Zoellner Arts Center, Lehigh University, 420 East Packer Avenue, Bethlehem.

Tickets are $12, and pay-what-you-will Feb. 26.

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For information, alarm 610-758-2787, ext. 0 or go to zoellnerartscenter.org.

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