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[MUSIC CLIP – OSCAR PETERSON, “MOONGLOW”]

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MARK CHILLA: Welcome to Afterglow, I’m your host, Mark Chilla.

This anniversary on the present, I’ll be exploring the affair of blush within the Nice American Songbook. Whether or not you might be crimson with ardour, blooming with backbiting or feelin’ affectionate of blue, colours settle for a means of highlighting a byword or accouterment altered shades of which means. Naturally, the Nice American Songbook is alpha with shade, accouterment heat, tone, and motion to a agreeable phrase. This hour, we are going to biking past absolutely the spectrum of blush in acceptable American Accepted Tune, from “Pink Sails In The Sundown” all the way in which to “Deep Purple,” and combination in between.

It’s “My Look E-book: Colours In Accepted Tune”, advancing up abutting on Afterglow

[MUSIC – BARBRA STREISAND, “MY COLORING BOOK”]

Barbra Streisand in 1962 assuming the John Kander and Fred Ebb tune “My Look E-book.” This was one among Streisand’s aboriginal bartering successes and the tune was afterwards carried out by Aretha Franklin, Sarah Vaughan, and Julie London. It was moreover a blemish track for the songwriting duo Kander and Ebb. Though Kander and Ebb had success on Broadway with Cabaret and Chicago, “My Look E-book” was not from a musical. The truth is, it was one among their aboriginal songs as collaborators. The track is acutely one huge metaphor, however I abnormally adulation a few of the greater capability in Fred Ebb’s lyrics, just like the second we apprentice that there was addition lady, and the appetent blush blooming seems.

[MUSIC CLIP – LES BROWN & HIS BAND OF RENOWN – “RED SAILS IN THE SUNSET”]

Mark Chilla actuality on Afterglow. On this present, we’re exploring the looks e-book of accepted track, award out how altered colours acrylic the phrases of the Nice American Songbook.

To alpha our agreeable spectrum, let’s booty a attending on the blush crimson. Pink is the blush of ardour, the blush of braveness, and the blush of adulatory love. It’s the blush of songs like “My Adulation Is Like A Pink, Pink Rose,” “The Woman In Pink,” and “Pink, Pink, Wine.” So, to bang issues off, actuality are two crimson songs from the Nice American Songbook (plus a rose-colored track for acceptable measure), alpha with a Harry Woods tune that dates aback to 1926.

That is Carmen McRae with “When The Pink, Pink Robin (Comes Bob, Bob, Bobbin’ Alongside),” on Afterglow.

[MUSIC – CARMEN MCRAE – “WHEN THE RED, RED ROBIN (COMES BOB, BOB, BOBBIN’ ALONG)”]

[MUSIC – NAT KING COLE – “RED SAILS IN THE SUNSET”]

[MUSIC – FRANK SINATRA AND COUNT BASIE – “LOOKING AT THE WORLD THRU ROSE-COLORED GLASSES”]

Some rose and crimson from the Nice American Songbook. Aloof now we heard Frank Sinatra and Depend Basie with “Trying on the Apple Via Rose-Coloured Glasses,” a track by Jimmy Steiger and Tommy Malie. Earlier than that, Nat King Cole in 1951, together with his activation of the 1935 Irish tune “Pink Sails In The Sundown.” And beginning that set, the Harry Woods track “When The Pink, Pink Robin (Comes Bob, Bob, Bobbin’ Alongside),” articulate by Carmen McRae in 1958.

After crimson, we about-face to orange. They are saying annihilation rhymes with orange. Conceivably that’s why of all the colours of the rainbow, orange exhibits up allegedly the atomic within the Nice American Songbook. Some songwriters had been as much as the problem, although, together with Milton DeLugg and Willie Stein in 1950 with their track “Orange-Coloured Sky.” The track aboriginal confirmed up on a late-night NBC look in 1950, and have become one of many aboriginal songs to develop into successful acknowledgment to tv expose. A cardinal of acclaimed singers recorded it that yr, together with Nat King Cole, Danny Kaye with Patty Andrews, and this abutting singer, Doris Day.

Right here is Doris Day with the Web page Cavanaugh Trio in 1950 with “Orange-Coloured Sky,” on Afterglow.

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[MUSIC – DORIS DAY WITH THE PAGE CAVANAUGH TRIO – “ORANGE-COLORED SKY”]

Doris Day and the Web page Cavanaugh Trio in 1950, assuming “Orange-Coloured Sky,” a track allegedly finest accepted by Nat King Cole from that aforementioned yr.

Transferring on from orange, we about-face to rooster songs within the Nice American Songbook. Now, rooster is difficult. It’s the blush of cowardice, but it surely’s moreover ablaze and heat. Hen is usually a thriller, which is why it takes on a abstruse affection on this abutting track.

Right here is Mel Tormé in 1960 from a moon-song abstraction anthology assuming the Fred Ahlert and Edgar Leslie tune “The Moon Was Yellow,” on Afterglow.

[MUSIC – MEL TORMÉ – “THE MOON WAS YELLOW”]

[MUSIC – NAT KING COLE – “YELLOW DOG BLUES”]

Nat King Cole from the 1958 anthology St Louis Dejection assuming the W.C. Helpful track “Yellow Canine Blues.” “Yellow Canine,” by the way in which, was the appellation accustomed to the Yazoo-Delta Railway that ran by means of Mississippi, an essential precise criterion within the historical past of the Mississippi Delta Blues. Earlier than that, the Fred Ahlert and Edgar Leslie tune “The Moon Was Yellow,” articulate by Mel Tormé in 1960 from his moon-song abstraction anthology Swingin’ On The Moon.

And on from yellow, we about-face now to inexperienced. Blooming is the blush of envy, sure, but it surely’s moreover the blush of life, youth, nature, and spring. And it’s that analogue of blooming that aggressive the wide-open areas of the Rodgers and Hart tune “Mountain Greenery” from 1926. This track is archetypal Larry Hart, with intricate rhymes like greenery, surroundings, beanery and keener re-ception. 

To bang off this agog blooming set, that is Bing Crosby with Buddy Bregman’s Orchestra in 1956 with “Mountain Greenery,” on Afterglow.

[MUSIC – BING CROSBY – “MOUNTAIN GREENERY”]

[MUSIC – ANITA O’DAY – “IF THE MOON TURNS GREEN”]

[MUSIC – NANCY WILSON AND GEORGE SHEARING – “ON GREEN DOLPHIN STREET”]

Three blooming songs from the Nice American Songbook. Aloof now, we heard Nancy Wilson and George Shearing with “On Blooming Dolphin Road,” a 1947 track by Bronisław Kaper and Ned Washington, accounting for the precise ball blur Blooming Dolphin Road. 

Earlier than that, Anita O’Day in 1961 with the Paul Coates and Bernie Hanighen tune “If The Moon Turns Inexperienced”— That track is array of the middle level amid a track we heard earlier, “The Moon Was Yellow” and the acclaimed Rodgers and Hart track “Blue Moon.” 

And beginning that set, Bing Crosby with Rodgers and Hart’s “Mountain Greenery.”

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[MUSIC CLIP – NAT KING COLE, “ROSE ROOM”]

Developing afterwards a abbreviate break, we’ll abide block rainbows and we analyze added colours in accepted track, break with us.

I’m Mark Chilla, and also you’re alert to Afterglow

[MUSIC CLIP – MILES DAVIS, “BLUE IN GREEN”]

[MUSIC CLIP – OSCAR PETERSON, “BLUE SKIES”]

Welcome aback to Afterglow, I’m Mark Chilla. We’ve been exploring colours in accepted track this hour. To date, we’ve heard from the colours crimson, orange, yellow, and inexperienced. And now it’s time to about-face to that ever-so-ubiquitous blush in American music historical past: blue. 

Blue is by far the most effective accepted blush talked about within the Nice American Songbook. Accustomed that so ample of American music is abiding within the blues, it comes as conceivably no shock. I’ve alike adherent an absolute look to songs concerning the blush dejected afterwards anytime enviornment a allotment accounting in your accepted 12-bar blues. That’s how accepted “blue” is.

I’m exercise to comedy now two dejected songs that I didn’t affection on that dejected episode. And aloof like I did with that absolute dejected episode, neither of those songs are 12-bar blues, however relatively concerning the blush itself.

First up, actuality is Tony Bennett in 1951 with the aboriginal adaptation of the Bernie Wayne and Lee Morris tune “Blue Velvet,” on Afterglow.

[MUSIC – TONY BENNETT – “BLUE VELVET”]

[MUSIC – ELLA FITZGERALD AND LOUIS ARMSTRONG – “UNDER A BLANKET OF BLUE”]

Ella Fitzgerald and Louis Armstrong calm in 1956 assuming “Below a Blanket of Blue” a track accounting by Jerry Livingston, Marty Symes and Al J. Neiburg aback in 1933. Earlier than that, Tony Bennett in 1951 with “Blue Velvet,” the aboriginal adaptation of that track.

As we cruise forth the bubble of colours, ROYGBIV, afterwards dejected comes indigo. This admirable abysmal dejected blush is the most effective often disregarded blush from the rainbow. However fortunately, it’s been accustomed some acknowledgment in a archetypal track from the Nice American Songbook, Duke Ellington’s “Temper Indigo.”

Irving Mills wrote the lyrics are fantastically accounting right here. If azure is a abysmal blue, once more “temper indigo” is a deeper, added acute adaptation of the blues. “You ain’t been blue, til you’ve had that affection indigo.”

Right here’s a ablaze adaptation of that track now, from a abstraction anthology of all bake songs. That is Frank Sinatra in 1955 from the anthology In The Wee Small Hours with “Temper Indigo,” on Afterglow.

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[MUSIC – FRANK SINATRA – “MOOD INDIGO”]

Frank Sinatra in 1955, with a archetypal adaptation of the Duke Ellington, Barney Bigard, and Irving Mills track “Temper Indigo.” Nelson Riddle was the arranger in that recording.

We transfer on from azure to our ultimate hue of the rainbow, your violets and purples. Amethyst is the blush of royalty, however to name article as “purple” may beggarly it’s flowery, complicated, or ambiguous. Within the Nice American Songbook, the most effective acclaimed amethyst track provides an added band of ambiguity, as a result of it’s not aloof “purple” however “Deep Purple.”

The track “Deep Purple” was initially a piano melody accounting by Peter DeRose in 1933. It was allegedly Babe Ruth’s admired track. The track grew to become so accepted that artist Mitchell Parrish added phrases to it in 1939. It’s adamantine to acquaint completely what DeRose meant aback he alleged his melody “Deep Purple,” however Parrish makes use of the blush to name these aftermost sparkles of twilight, space absoluteness blends right into a dream world.

Right here’s one of many aboriginal articulate recordings of this allotment aback in 1939. That is Artie Shaw and his Orchestra, that includes Helen Forrest with “Deep Purple,” on Afterglow.

[MUSIC – ARTIE SHAW AND HIS ORCHESTRA, FEAT. HELEN FORREST – “DEEP PURPLE”]

Helen Forrest with clarinetist Artie Shaw assuming the accepted “Deep Purple” in 1939.

Nicely, we’ve catholic past the blush spectrum all the way in which from “Pink Sails within the Sundown” to “Deep Purple.” Our already banausic agreeable apple has been abounding with greens and blues, rooster and indigo. And what greater option to finish this hour of shiny music with a track that describes the exercise of activation to a apple of shade.

To abutting issues off, actuality is Ella Fitzgerald in 1958 assuming the Irving Berlin tune “I Used To Be Blush Blind,” on Afterglow.

[MUSIC – ELLA FITZGERALD – “I USED TO BE COLORBLIND”]

Irving Berlin’s 1938 track “I Used To Be Blush Blind” carried out their by Ella Fitzgerald in 1958.

And acknowledgment for affability in to this shiny copy of Afterglow, enticing at colours in accepted track.

[MUSIC CLIP – OSCAR PETERSON, “I USED TO BE COLORBLIND”]

Afterglow is allotment of the tutorial mission of Indiana College and produced by WFIU Public Radio in admirable Bloomington, Indiana. The controlling ambassador is John Bailey.

Playlists for this and added Afterglow packages are accessible on our web site. That’s at indianapublicmedia.org/afterglow.

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I’m Mark Chilla, and accompany me abutting anniversary for our mixture of Articulate Jazz and accepted track from the Nice American Songbook, actuality on Afterglow

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